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Here are some products that are almost universally praised, both for their sound and playability: I also recommend visiting VI-Control, as this subject dominates that site. I would check out the offerings from Spitfire Audio, Cinematic Studio Series, ProjectSam, Cinesamples, AudioBro, Embertone, and several other manufacturers before making my choice. That said, there are a lot of other great orchestral products. If I were looking for the best bang for the buck, I would subscribe to East West's Composer Cloud and wait to buy their products until they go on sale (which in East West's case is very oftenat least 3-4 times per year). If money were no object and I could only pick one manufacturer, it would be Orchestral Tools. Unfortunately, you just missed the holiday sales, so the price of most libraries has returned to normal. Libraries written for Kontakt seem to handle that ability the best but even on that platform, there are as many misses as hits.
![eastwest symphonic orchestra gold plug-in eastwest symphonic orchestra gold plug-in](https://www.soundsonline.com/images/home_cc_ho-opus_7@2x.jpg)
The ability to script those transitions so that the correct ones are triggered properly while playing is a difficult task, and the feature introduces its own latency because the transition samples can't be triggered until the next note is played. Any library created before that feature was inventedEWQLSO and the Miroslav releases, for examplewill not have true legato as a feature.
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True legato includes the sampling of transitions from note-to-note. Scripting can make all the difference for playing satisfactory legato lines, for example. However, not all of them sound great when played liveespecially when playing long notes rather than short ones. With some work, most libraries today can be sequenced and programmed to get a satisfactory sound. How important is playability? Are you planning to play these orchestrations live during and after the recording process? What will feet my needs at the right budget?įitting your needs is the most important factor. My main goal is to orchestrate stuff for an upcoming album with my Prog band. Problem is - Pricey and I'm the rookiest of the noobs in terms of orchestration and Symphonic Composing. It seems the diversity of options is colossal, and so are the pricings of the packs.Īfter hearing many stuff, my two faves are EastWest's outputs (Especially Hollywood Orchestra) and everything Orchestral Tools basically did. I'm looking to purchase a Pack\plugin for Orchestral stuff, in use for "Orchestrations" and all sorts of stuff mainly for my main band that plays Prog, and for all sorts of rock\pop stints in the future.